Spring Awakening – The New York Times

Spring Awakening, the groundbreaking rock musical that took Broadway by storm in 2006, has returned to the stage in a stunning revival that has critics and audiences raving. The New York Times called the production “a thrilling and emotionally charged experience that is not to be missed.”

Based on the 1891 play by Frank Wedekind, Spring Awakening tells the story of a group of teenagers coming of age in late 19th century Germany. The musical, with music by Duncan Sheik and book and lyrics by Steven Sater, explores themes of sexuality, repression, and the struggle for self-expression in a repressive society.

The revival, which opened at the Brooks Atkinson Theatre in September, has been praised for its raw and powerful performances, innovative staging, and electrifying score. The New York Times described the cast as “phenomenal,” with standout performances from lead actors like Marlee Matlin, Austin P. McKenzie, and Krysta Rodriguez.

One of the most striking aspects of the production is its use of both spoken dialogue and sign language, with Matlin delivering a powerful performance as the deaf character Wendla. The combination of spoken word and sign language adds an extra layer of depth and emotion to the story, making it a truly unique and immersive experience for audiences.

In addition to its powerful performances, the revival of Spring Awakening has also been praised for its bold and innovative staging. Director Michael Arden has reimagined the musical for a modern audience, incorporating elements of dance, multimedia, and immersive storytelling to create a truly captivating theatrical experience.

The score, which features songs like “Mama Who Bore Me,” “The Bitch of Living,” and “Totally Fucked,” has also been a highlight of the production. The New York Times called the music “hauntingly beautiful” and praised the cast for their powerful vocal performances.

Overall, the revival of Spring Awakening has been a triumph on Broadway, earning rave reviews and attracting audiences from all walks of life. As The New York Times put it, “this production is a must-see for anyone who loves powerful storytelling, innovative staging, and unforgettable music.”